The social issue of suburban paranoia is a strong point that Cameron establishes in his play. The disappearance of Ruby shows the tension that has unfolded between the relationships of Ray, Sylvie and the community. Bad things can happen to anyone, and not everyone is as normal as they appear.
They search in vain for the answer to the loss of their little girl but little is provided to the audience that will satisfy answers to questions that arise in the play and which go straight to the heart of the human condition. Their neighbours are the fragmented creations of suspicion; they are Ruby moon beautiful life essay real, not yet anyway.
Real horror will come from that which is not seen but imagined. At the core of the play is the disappearance of a little girl and the deeply felt pain that accompanies this.
This means that actors will always be in close proximity with each other. What do we imagine exists Ruby moon beautiful life essay that darkness?
More essays like this: Each night, however, suspicion casts a broad shadow over all in Flame tree Grove: The use of flashbacks keeps the audience paying attention and piecing the parts together.
He was also seen digging in the church late at night. Hamid had been interrogated and tortured in a prison in Iran — knowledge that the journalists lack of, or fail to understand.
In the end the answer lies within and not from without. But first of all, what is a fractured fairytale? In Ruby Moon Cameron confronts his audience with the greatest of urban fears.
When considering how to highlight the personal and social tensions in Ruby Moon, we must consider what particular tensions play an important role and which characters the tensions are between.
Not being able to see what the actors are doing, forces the audience to use their imagination by utilising the noises they hear rather than a visual stimulus.
It reflects this, not in subject but in its treatment of subject. Cameron aims to engage the audience fully, making them see the relevance of the issues being portrayed on stage in the hope that the audience would watch the play and think of all the past and present missing children.
The convention and form of the play is very much like absurdist theatre, and is performed with realist acting, set, and props. An audience in a theatre cannot simply read that a silence is supposed to be tense; it is up to the actors and their use of the stage, as well as the lighting, set and audio.
I found this became apparent with Dulcie who is an elderly spinster with a parrot, we are quickly shown that she is slightly senile and this bird that she has conversations with may in fact be imaginary.
Almost every next scene is scene back in time. Those experiences through sympathy and empathy impact relationships with other. This awareness is clearly evident in the dramaturgy of the script and it is important for the director of any production of Ruby Moon to bring an awareness of this to any production of the play.
Aside from the use of audio, costuming and staging to get these tensions across, it is largely up to actors to make sure the audience can pick up on the vibes of the play, leading up to moments in such a way that the audience can feel tension in the air.
Stories such as Beaumont Children and Azaria Chamberlain have changed Australians views on how parents should protect their children. A common element in Australian literature is the sense of identity that is born out of both a real and perceived sense of isolation from the rest of the world.
The licentious, pained and medicated Veronica, who stars each evening in a song and strip show for the neighbourhood and who claims to dislike little girls and to loathe innocence, believing that the innocent get what they deserve.
The appearance and demeanor of the neighbourhood characters owes less to any objective reality than to the distorted view of Ray and Sylvie who see the world through the lens of distrust, prejudice and fear. The descriptive nature of the stage directions and the very act of reading as opposed to just seeing on stage, being able to take time to look over each line, means that a reader can see which scenes accentuate the tension between both Ray and Sylvie or the characters they have created.
They see only pieces of a whole and so their imagination must complete the picture. Hamid, Jhila, and Amir become the dominant characters when they speak Farsi and Brendan and Stephanie no longer have the advantage of language on their side.Jul 22, · Re: Ruby Moon - Notes hey was just wondering if any of you could help me with this question relating the ruby moon and a beautiful life How do Australian playwrights and theatre practitioners present political and social issues meaningfully on stage to their audience?
The Removalists & The Chapel Perilious Essay: DOCX (N/A) Ruby Moon/A Beautiful Life Essay: DOCX (N/A) Analysis of Dorothy Hewitt's Chapel Perilous and David Williamson's The Removalists in terms of style, context, purpose, theatrical challenges and conventions of Australian Theatre It is the images that bring them to.
Dec 13, · So in conclusion, both Ruby Moon and A Beautiful Life raise issues and challenge the audience’s ideas and perceptions of our cultural, political, and social lives, even thought they are almost completely different in every respect.
Ruby Moon and a Beautiful Life Ruby Moon is a gothic fairytale, with the play repeatedly drawing on the familiar tale of ‘Little Red Riding Hood’. A parent’s worst nightmare is to have lost their child, especially if the neighbor is assumed to have been involved.
Ruby Moon Essay Sample. The individual experiences found in Australian society are the fear of the unknown, grief and loss, life in a ‘cul-de-sac’ and identity. May 12, · An Exploration of “RUBY MOON” Human like yet lifeless, the doll, as in much theatre and film, is a reminder of the real daughter, the life that is no more.
When Ruby’s doll is dismembered it very obviously symbolises the violence that may have been perpetrated against the young girl. Our Town Sample Essay; Drama.Download